My first exposure to Neopan 400 (Professional/Presto) was in the work of one of my favourite film photographers; Walter Rothwell. When I first discovered his work I wasn't too i...
Some people may remember Hamish’s post back in November 2018, about the Agfa Optima 1035 camera that was so nearly something he liked, but not quite there: The Agfa 1035 and a C...
A couple of weeks ago I went down to Bristol to meet Duncan Gammon from SilverPan Film Lab. We’d met briefly at the photography Show in March, but since then I’ve started using ...
Earlier today, I posted a 5 frames post documenting a recent experience shooting a slightly crappy teleconverter mounted to a Ricoh FF90 Super - you can find that post here. I w...
A little while ago I tried some 35mm Cinestill 800 colour negative, which is Kodak Vision 3 500 Tungsten movie film with the Remjet anti-halation backing removed. Exposed at EI8...
Historically, when it comes to my black & white work I have only shot Ilford's famous HP5+. And normally I'm not a portrait photographer either. I find it to be an over saturate...
Yes, I know, I am living in the past. I remember when I could buy a Shutterbug in the supermarket, read through page after page of small-text advertisements, and call (with my l...
My forth roll of Kodak Ektachrome E100 has been, at least a little bit, about experimenting with an incident meter. Even in the few rolls I’ve shot - and despite the mistakes an...
